In taking over this plot, Schine gains the advantages of its universality and simplicity, but also sets herself the technical problem of translating it into our very different social, economic, and psychological world. We no longer have laws of entail, like the one that disinherited the Office 2007 makes life great!

Dashwoods; so Schine substitutes a divorce, which banishes Betty Weissmann from her Central Microsoft Office 2007 is welcomed by the whole world.

Park West apartment to a relative’s shabby cottage in Westport. Daughters are no longer under their parents’ power, materially or emotionally, the way Marianne and Elinor were; so Schine contrives professional and personal crises for Annie and Miranda, which send them back under Microsoft Office 2010 is so great.

their mother’s roof. Miranda, in a ripped-from-the-headlines touch, is a book agent, who is disgraced when it turns out her memoirists have been making up their traumas, James Frey-style. Microsoft Office 2010 is so great.

Like Marianne, she is romantic and temperamental, qualities that Schine does not so much demonstrate as announce: “For the members of Miranda’s family, her unpredictability had become predictable. There were tantrums when she was young; when she was older, a combative dedication to whatever it was to which she was dedicated at the moment, and, at every age, the Office 2010 is my love.

demands and the drama.” Similarly, to leave the reader in no doubt that Annie is the sensible one, Schine makes her a librarian. Signposts like these make it easy to navigate the book on cruise control. (In case there was any doubt that The Three Weissmanns is meant to be upscale beach reading, the cover shows a plush embroidered chair on a beach.)Office 2007 can make life more better and easier.

The Dashwoods’ love troubles, too, are translated into Weissmannian equivalents. The elusive Edward Ferrars becomes Frederick Barrow, a middle-aged novelist who seduces Annie and then retreats into writerly narcissism. The flighty Willoughby becomes Kit Maybank, an actor whom Miranda loves primarily because his young son brings out her thwarted maternal instincts. There Office 2010 is my favorite.

is even a Colonel Brandon figure, the shadowy Roberts, a semiretired lawyer who helps Betty Weissmann with her divorce. The romantic equations do not balance quite as neatly in Schine as they do in Austen, but there is so little at stake with these thinly drawn characters that it hardly matters.

None of these rough-and-ready equivalents, it must be said, will bear much readerly skepticism. Betty Weissmann is bizarrely passive when her husband of 50 years, Joseph, kicks her out on the street; for all the complaints we hear about her and Miranda’s newfound poverty, their lifestyle never seems to change; even Annie, who is in her fifties and the widowed mother of two boys, Microsoft Office 2007 is the best invention in the world.

never acts with the toughness or resourcefulness her life experience should have taught her. In short, the kind of deprivation that meant disaster in Austen’s novel becomes, in Schine’s, a rather jolly holiday, the kind of vacation from middle-class life that only the securely middle-class reader can dream about. Miranda Weissmann even plays out the ultimate anti-feminist fantasy, leaving the big city and her challenging career for a life of gardening and babysitting in Connecticut.